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OT: Movies/TV Shows

But then who owns the copyright? The prompter? The AI? The AI developer?

For me to be inspired by copywritten works, I have to access them and use them within the allowed usage terms of the property (buy a book, view it in a gallery, etc). For AI to scrape them, they have to upload/scrape the data and use the property outside the terms of allowed usage. They have to violate the artists copyright just to teach the AI how to emulate the artist later. There is a fundamental difference in how a human is inspired by art to create new art and how an AI ingests art to create new art.


Nah, it actually didn't. It was created by a firm and used only concept art specifically commissioned for the purpose of using an AI engine to generate the (terrible) intro sequence for the series. It's only input was taking properly commissioned and licensed work and AI'ing it into what it was.



Long story short, but how a human creates and how a generative AI creates are very, very different processes:






Well to answer the first bit....there is electronic record of that AI infringing on your work. There is record of the data sets they're fed. So even if the data set of "borrowed" work is in the millions, that kind of smells like class action law suit territory, no?

The second bit though...is copyrightable for who?
For @CH1 since I promised.

I don't know if I see much of a difference between viewing and scraping. I look at some contract, and I go hey, that was smart, I should adopt some version of that in the contracts that I prepare from now on. Same for any artist looking at another creator's work. We've effectively scraped - or, in the ancient vernacular, learned - sometimes willingly and sometimes without even really realizing, in order to repurpose what we saw into something new and better. The AI is doing the same thing, and it leaves behind digital traces of what it accessed, no different than we do these days via browser history, purchases, or, back in the day, library cards. The whole essence of AI is that it learns just like us, and creates just like we do. There's isn't a material difference in the process really, when you strip it down.

I don't see the AI violating any copyright any more than we do. It views and understands something based on search terms (at its most basic level). It's really just googling stuff. We google stuff to learn, research, experience. We also turn on Netflix and watch something that interests us and inspires us to do something. We don't violate the copyright by doing what we do, but the AI violates the copyright by reading text and viewing images available to any human who wants it?

No one is directing us but us (let's leave religious and fatalistic notions out of it), but we are directing the AI. What does the AI do if we don't come up with the idea to instruct it? Nothing. And when we instruct it, we're coming up with original thought and putting tech into action. Obviously, we can't tell the AI to write an original Batman story and publish it online - that's clear infringement of copyrighted IP. But if we tell it to write a story about an orphan boy who suffers great tragedy as a child and then devotes his life to fighting crime as a superhero, and it spits out a new superhero for us, how is that any different than Stan Lee certainly knowing about Batman or Superman's origin story and then coming up with Spiderman? If we tell the AI to write a sad poem, and it scours the internet for sad poems and writes one, is that so different than someone reading poetry all their lives, studying it in school, being familiar with all the great works, and then creating their own? Of course, the counterargument is that the AI is lifting, essentially plagiarizing, but is it doing it any more than a human does in drawing on everything he ever consumed and experienced when creating something? We have styles in every genre - music, movies, books, houses/architecture, etc., and they're "styles" because people liked what someone else did before them, and replicated it in a different way, en masse. Infringement, or the ultimate form of flattery?

Is the person who directs the AI any different than the "person", say Marvel Comics, when it pays the writer, artist, inker, letterer, editor, etc., in creating the comic book? Marvel owns copyright, even though Perlmutter or Iger or whoever weren't even aware of what the workers were doing. The person directs the AI to create something, and it comes up with something original, even though it's an amalgamation of many other works. But that's what I'm getting at here, is that there's a case to be made that the AI process is just using a tool (ChatGPT) to streamline the creation experience by drawing on everything relevant it can find, an advanced form of using the established tool (the human brain) to do the exact same thing.

The practical inevitability of it also is that people WILL use the AI to create a draft, a prototype, a starting (or middle) point for something they want to do. And it will not be detectable because they'll have altered it to fit their purposes and conform to their vision. Short of confiscating hard drives with search warrants to see what they accessed, how is anyone going to prove that the script someone submitted wasn't initially a creation of the AI process that they then tailored into something else? It's here to stay, and it commits the perfect crime almost every time by not leaving behind any fingerprints in most contexts. So, if that's the case, how do we say that something created by AI is not going to be copyrightable? We'll never know what was or wasn't created by AI unless the person tells us. So, fine, the person who tells us they used AI to create something loses the ability to copyright, but what about everyone else who isn't so open about it?

By the way, this is mostly just off the cuff musings coming from my personal philosophical and practical angle. It's a major problem though. I'm not a fan of tech creating IP with a simple one line command. It will produce better results than probably 99% of people every time. I'm also not a fan of self-checkout stands at the supermarket or self driving delivery trucks or little mobile mini pizza delivery bots. I genuinely don't know what people are going to do for work in the rapidly approaching future, and I'm very concerned about the crime, depression, suicide, malaise, and lifelessness that will probably pervade society. But I don't think legislating against advancement will ever really be an effective approach.
 
If you have 5 mins, you should check out these two reviews of “A Tree of Life” one from Roger Ebert’s 4 star review of it, and Matt Zoller Seitz review of it when they named it the best film of the decade.

not to change your mind at all…..but just as an exercise in seeing what those who love it are taking away



They’re also just two really great pieces of film criticism.
So I read these, but I guess all I can say is that I still just don't see it.

I'm an extremely nostalgic guy, so I can definitely understand someone who grew up in the 50's (or whenever it was supposed to take place), where the father-son dynamic was very different than today, finding familiarity in the actual non-PBS scenes of the film, and being transported back to a time and place occupied by relatives who are no longer around, especially if they had some strained, non-verbal relationship with their father. And maybe with that emotional tie, the film just has them hooked, and they can ignore or overlook, or even find meaning, in the nature interstitials.

But for me, there was no actual story. It was just random interactions (in fairness I remember nothing about it other than my feelings when sitting in the theater), and those interactions didn't really go anywhere. There wasn't some plot that was building up to some climax. It was just nothingness, and with the PBS scenes spliced in the middle where, I shit you not, the first couple of scenes, I was actually wondering, did some idiot kid in the projection booth switch out the film as a prank? I literally remember wondering that at first. When it became clear it was part of the film, I was just out, completely annoyed and more frustrated with each cutaway, from a story that had no actual storyline in the first place. Like sitting through an informercial for a product you have no interest in buying, and there are commercials for other useless products in between.

Very tough to get me to say anything bad about most Brad Pitt films, but I try not to remember that one when considering his filmography.
 
Also, I can totally understand someone liking something I don't, and am cool with it.

Why should films be any different than girl type, career choice, or ice cream flavor favorites?

I like that people like different things. Except Succession. Nobody should like that garbage.
 
Also, I can totally understand someone liking something I don't, and am cool with it.

Why should films be any different than girl type, career choice, or ice cream flavor favorites?

I like that people like different things.

👍🏼 this part gets the like.

Except Succession. Nobody should like that garbage.

This part I’m printing off so I can burn it, and then bury the ashes.
 
Game of Thrones is a fantastic medieval political thriller which upends most every storytelling trope brilliantly.

It does have a fantasy setting which stops a lot of people from even trying it, but the fantasy elements are actually subtle and superfluous to what makes the show great.
 
the first 4 or 5 seasons of GOT may be the best television shows of all time. brilliant casting, sets, scripts, performances. I will also defend seasons 6-7 as being really good despite the wailing. Unfortunately, season 8 is not good. and while it's fair to argue that not sticking the landing is a major problem for a movie or tv show, it doesn't erase the brilliance of what came before.

The books are also legit excellent in their own right.
 
Game of Thrones is a fantastic medieval political thriller which upends most every storytelling trope brilliantly.

It does have a fantasy setting which stops a lot of people from even trying it, but the fantasy elements are actually subtle and superfluous to what makes the show great.

Did you watch it sober?

It means a lot to me
 
the first 4 or 5 seasons of GOT may be the best television shows of all time. brilliant casting, sets, scripts, performances. I will also defend seasons 6-7 as being really good despite the wailing. Unfortunately, season 8 is not good. and while it's fair to argue that not sticking the landing is a major problem for a movie or tv show, it doesn't erase the brilliance of what came before.

The books are also legit excellent in their own right.
The first 4 (aka the first 3 books) are amazing.

The books like the show go downhill after that. The books imo have a bigger drop off.
 
I hated Tree of Life....overwrought to the max, just like the title warns. Thin Red Line also no bueno.

Days of Heaven and Badlands are obviously good. Badlands is an interesting pre-cursor to Natural Born Killer (in terms of narrative beats)
Saw thin red line in the theatres and wanting to love it, but hated it for its pretentiousness from the start
 
I was probably late to the game on The Righteous Gemstones, but damn it's great. Very funny, but with an actual plot that would fully work as an excellent drama.
 
I saw Jaws on the big screen at an art house in Vancouver a couple years ago, and it’s wild how well it holds up. Same with Jurassic Park for that matter……gets mentioned all the time, but the effects in that movie blow away the competition in 90% of CGI heavy movies released since.

I loved Spielbergs, Catch Me if You Can, Terminal, Munich run….


…embarrassed to say I’ve still never seen Schindlers List or Close Encounters.
I found Close Encounters a bit tedious but sci-fi isn't my genre. I've only seen the first two Star Wars from the 70's, part of the one with the Ewoks, and the garbage Episode 1 with Jar Jar Binks that a friend dragged me to see.

Schindler's List, like Saving Private Ryan, is at times very difficult to watch but well worth the effort. Ralph Fiennes performance alone is worth the price of admission.
 
I saw Jaws on the big screen at an art house in Vancouver a couple years ago, and it’s wild how well it holds up. Same with Jurassic Park for that matter……gets mentioned all the time, but the effects in that movie blow away the competition in 90% of CGI heavy movies released since.

I loved Spielbergs, Catch Me if You Can, Terminal, Munich run….


…embarrassed to say I’ve still never seen Schindlers List or Close Encounters.
I recently re-read the novel Jaws by Peter Benchley. In the book, Matt Hooper (the character played in the film by Richard Dreyfus) has a one night stand with Chief Brody's wife and only Brody himself survives at the end, with both Quint and Hooper being killed by the shark. In the movie, Hooper also survives.
 
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